By Ren Hang
Ren Hang, who took his life February 23, 2017, is an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 28-year-old Beijing photographer was nonetheless at the forefront of Chinese artists’ battle for creative freedom. Like his champion Ai Weiwei, Ren was controversial in his homeland and wildly popular in the rest of the world. He said, “I don't really view my work as taboo, because I don't think so much in cultural context, or political context. I don’t intentionally push boundaries, I just do what I do.”
Why? Because his models, friends, and increasingly, fans, are naked, often outdoors, high in the trees or on the terrifyingly vertiginous rooftops of Beijing, stacked like building blocks, heads wrapped in octopi, body cavities sprouting phone cords and flowers, whatever enters his mind at the moment.
Young fans still eagerly flock to his website, Facebook, Instagram, and Flickr accounts. His photographs, all produced on film, have been the subject of over 20 solo and 70 group shows in his brief six-year career, in cities as disparate as Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and even Beijing. He self-published 16 monographs, in tiny print runs, that now sell for hundreds of dollars.
This volume, Ren Hang, is his only international collection, covering his entire career, with well-loved favorites and many never-before-seen photos.
Hardcover, 312 pages, 2017.
9" x 1.1" x 11.9"